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Abaporu Round Dining Table
In the oil on canvas Abaporu, modernist painter Tarsila do Amaral represents the idealism of the Anthropophagic Movement established in 1926 by Oswald de Andrade. A ‘man who eats people,’ which alludes to the idea that international culture needed to be absorbed to the fullest. Thus emerges the eponymous table. Transfigured from Tarsila’s curvilinear lines and sculpted in wood, its openings in the top reveal the mouth of the cable grommet, ready to swallow and anthropophagize external content.
The round top version maintains the voluptuous solid wood central pedestal, configuring the top in a format of contained dimensions for the piece’s versatility.


